For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
After having her life course changed by a fake image and losing her childhood sweetheart to greed and power, Brisa, a strong woman, will struggle to rebuild her journey, raise her son, rediscover true love, and discover the truth about her origin.
An environmental police officer uncovers a hidden world of mythological entities from Brazilian folklore when he finds a connection between the mysterious appearance of a dead river dolphin on a Rio de Janeiro beach and the death of his beloved wife.
The recovery of family videos is the resumption of a path: the massification of VHS brought new levels to family recordings. With the incorporation of sound, home videos gave way to commentaries, speeches and the filtering of sounds, giving rise to a documentation of the sounds of each era. In this first-person film, Juliana Antunes revisits, reframes and recombines the discordances between norm and desire in the memories of an LGBT girl in a Brazilian suburb.
A documentarist is convinced by her son to travel to Brazil's Northeast so she can throw his dad ashes at São Francisco river.
Leandra is in her mid-30s: she wants to get married and have children, but she does not have a boyfriend. Her sister, Sonia, is married and has two children, but all she wants is a night of fun with her best friend, Marinati - a workaholic lawyer who went to fall in love just when her career is on the rise. Marinati is Keka's boss, who is looking forward to the trip she's scheduled to save her marriage.
At the beginning of the 20th century, a mother dreams of marrying her five daughters to eligible bachelors but marriage is not a priority in Elisabeta Benedito's life. More than finding true love, the strong-willed dreamer and her sisters want to live according to their own choices and to do so they must go against traditional rules and customs. Inspired by Jane Austen's works, this romantic comedy retells classic novels from the point of view of modern and empowered women.
Alessandra Vidal de Negreiros Negrini is a Brazilian actress.
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