Two hapless drifters, Frank and Bruno, team up with Linde to recover her land and trek across 1870's Southern Arizona to find an elusive frontier musician. The complex quantum time theory is blended with philosophical musings about art as the way we understand our history and memories, with gunfights, horses, dance halls, cacti, and saloons!
A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.
Alex Cox presents, a Kung Fu adventure following a father and daughter duo as they seek to reforge the mythic Dragon Sword in order to exact revenge on a powerful warrior.
The life & times of Dennis Hopper, showbiz maestro and Hollywood eccentric.
The story of how Rudy Wurlitzer and Alex Cox worked on six drafts of a feature screenplay titled ZERO TOLERANCE, about the Contra War in Nicaragua...
The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.
As a repo chick, wealthy bad-girl Pixxi and her entourage get mixed up in a devious kidnapping plot that threatens to wipe out the city of Los Angeles. Sequel to Alex Cox's 1984 cult film 'Repo Man.'
A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.
A behind-the-scenes look at the making of Alex Cox's 1987 film WALKER.
At Oxford University, a professor and a grad student work together to try and stop a potential series of murders seemingly linked by mathematical symbols.
Alexander Cox (born in Bebington, Merseyside, 15 December 1954) is a British film director, screenwriter, nonfiction author and sometime actor, notable for his idiosyncratic style and approach to scripts. Cox experienced success early in his career with Repo Man and Sid and Nancy, but since the release and commercial failure of Walker, he has focused his career on independent movies of steadily declining budgets, championing the increased individual creative freedom that comes with lower production investment.
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