Philippe is a movie star on the comeback trail. He shoots a film in Morocco, which will allow him to find the top of the bill. But nothing goes right, his partner, Alexi, breaks his arm during the shooting of a scene. Later, a phone call puts him in all his states: Julie, his ex-wife, who is a scriptwriter, asks him to keep their young films, Mathias and Victor. She has to go to Hollywood where she is nominated for an Oscar. Philippe is furious, but agrees to receive them in Morocco. Always absent, he does not know his children well. They have the (false) impression that their father does not love them. So, they do stupid things. And when a set catches fire, Philippe is certain that his children are responsible for the fire.
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...
Two teenage girls are rehearsing a scene from a play by Marivaux, a love scene, and from the first seconds, we know who will be the heroine, who will be Charlotte, the one who will, to summarize brutally, discover her homosexuality.
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