Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.
The documentary frames the reactions of Rapa Nui's people following the screening of -at that time- a presumed lost film involving their territory.
Alicia Vega is one of the main promoters of film appreciation in Chile as a method of social transformation. Throughout her life she has been researching and teaching about the importance of cinema, both Chilean and international, to the most diverse audiences.
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