The plot of film is constructed on the basis of memoirs of the son and mother. They were divided with border between northern and southern Azerbaijan.
The film is about a day of the 19th-20th century famous tycoons from Baku Agha Musa Naghiyev and Hadji Zeynalabdin Taghiyev.
The film talks about countless crimes committed by the criminal group led by "Panjali Aslan" and eventually the destruction of this criminal group by law enforcement agencies.
After the novel of the same name of Yusif Samadoghlu. The film is about three intervals in time: the distant past, yesterday and today, about innocent victims, about repression, and conquest of different countries.
After fulfilling his duty in Afghan War, Zaur returns to his home Baku. He is trying to clarify the truth when he heard that his father was arrested.
The film is about village people, about their love for their land, their honesty in relations.
Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.
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