A story about Petar Maraš, a Belgrade criminal in his late twenties, whose one reckless move causes an avalanche of events that will greatly affect the lives of those around him.
A disillusioned opera star, a lonely pastry chef, and a divorced Don Juan with an amorous history offstage make for choice ingredients in this poignant romantic tale spiced with Christmas cookies, borscht, and an alarming quantity of deadly insecticide. Director Tribuson demonstrates a deft talent for juggling comic romantic disasters from a woman’s point of view as her characters negotiate the bamboozling ways of love. Middle-aged Verica (acclaimed actress Marinković) pours her heart into her café’s pastries, but she can’t seem to find a like-minded lover until a duplicitous handyman with pheromones to spare and an eye for the ladies sets off a chain of unforeseen adventures all tied together by one fateful plate of tasty treats.
This is a story, actually a fairytale for adults, that expresses how life could be beautiful, if only mankind would get out of its own way and enjoy it for a change.
Father Peter fears that the universe has become indifferent. God no longer intervenes in earthly affairs. Peter's wife abandoned him, his son disobeys him and his mother suffers from Alzheimer's and hardly ever recognizes him. When Peter becomes an obstacle to a large property sale in his small island parish, a group of interesting, but vengeful villagers decides to force him to leave. Using very creative methods, they convince the entire superstitious village that Peter is the cause of all the troubles on their island.
Life Is a Trumpet has a loose jazz musician as the groom, a butcher as his father, and two families of different backgrounds whose members are not as different as one might expect.
When Slavko's old friend Djulaga dies, Slavko feels obliged to go to the funeral. But in his hometown of Mostar, in Bosnia & Herzegovina, this simple social obligation has the potential to get him into all kinds of trouble: with his neighbors or even with local political bigwigs. Yet if he does not go, his wife will think he's a coward, the grieving family will never forgive him - and he might have trouble forgiving himself. This is a compelling tale of everyday life in a fractured society, and a world where paranoia, comedy and drama co-exist. It is also an astute psychological portrait of a man who is forced to cross the invisible line that divides two communities. Above all, it is the story of a man who lost everything that defined him, when his country disintegrated.
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
Our story takes place at the end of the 1960s. This is the time of the collapse of the ideals of a more just and honorable life brought into prominence by students worldwide in the great rebellion in 1968 and of the beginning of the end of an equally grand illusion called Yugoslavia. Andjelko is the principal of a middle school in a small Bosnian place Dubica. He believes in Yugoslavia and worships its leader Josip Broz Tito. Andjelko, however, has one serious fault: he is a forger, he makes forged school diplomas. He does not do this out of self-interest, but because he is a staunch philanthropist. One day, a neighbor for whom Andjelko forged the leather-working school diploma, in order to take revenge on the local veterinarian, reports to the police that this one too has Andjelko's diploma. Our hero is, therefore, forced to flee to the big city. He lives there illegally, at the harborers of outlaws for whom he once forged diplomas. But one day, Andjelko runs into his schoolmate...
Bogdan Diklić is a Serbian actor. In August 2009, he received Life Achievement Award "Pavle Vuisić" for his roles in Yugoslav cinematography.
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