Carlos Chávez

Overview

Known for
Acting
Gender
Other

Carlos Chávez

Known For

Bleak Street
1h 39m
Movie 2015

Bleak Street

Two wrestlers decide to go to a hotel in order to meet two prostitutes.

The Ruination of Men
1h 46m
Movie 2000

The Ruination of Men

A woman seeks help from one of her bigamous husband's killers to transport his corpse back to her home.

La Otra Cara de Pedro Navajas
1h 29m
Movie 2000

La Otra Cara de Pedro Navajas

La Ley de las Mujeres
Movie 1995

La Ley de las Mujeres

A group of women take the law in their own hands after a friend has been raped and killed by some masked men.

La mudanza
1h 23m
Movie 1990

La mudanza

Between chargers, noise and improvisedly placed furniture, a couple experiences a violent marital crisis, ignoring that they are observed by many characters that will soon face them with their own demons. Inspired by a work by Vicente Leñero, Gabriel Retes orchestrates a portrait without concessions of the hell of the marriage institution and love chaos, made in video format in 1990 and completed by the filmmaker more than a decade later.

The Realm of Fortune
2h 10m
Movie 1986

The Realm of Fortune

Poor Dionisio finds himself as recipient of the good fortune, but soon he forgets that everything that goes up also has to go down, and that in the depressing nothingness of his town it is easy to die.

Biography

Originally from the Tepito neighborhood in Mexico City, in the film Canoa, the actor played the role of Miguel Flores Cruz and was part of several films including "Las razones del corazón", "El carnaval de Sodoma", "La virgen de la lujuria", "Azul Celeste", among others. He said that "Canoa" was one of the strongest films in which he participated alongside actors he considered idols. He was part of the film "Chin Chin el Teporocho", based on the book by Armando Ramírez, and in which he connected with his origins in the "Barrio bravo" of Tepito. During an interview with the YouTube channel La Tranza de Tepito in 2015, the actor assured that he has sometimes left the area, but that he usually returns to it because he feels it is part of him and of his formation as an individual.

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