“I can’t remember the last time a guy got vulgar with me. When was the last time a guy did that thing… you know, with his lips, like damn girl, you’re hot. Of course I used to hate it. But Lady, c’mon, that’s a whole other ballgame! The little prick called me Lady.”
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.
Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.
Céline Sciamma is a French screenwriter and film director. Sciamma's work is strikingly minimalist, partly the legacy of her mentor, Xavier Beauvois, who advised her while she was a student at the major French film school, La Fémis.
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