Adapted from Charles O'Neal's 1949 book, this follows the lighthearted adventures of a late 19th Century young man named Jamie McGrew, the three wishes granted to him in a dream by a fairy queen, and the unusual way they come true. His first is for travel (he goes from Ireland to a life of horse trading in Georgia); his second, to marry the girl of his dreams; the third, a son with the gift of poetry and the ability to speak in the ancient Gaelic tongue.
Magicians grandson and his girlfriend and their friends are victimized by a bike gang of her former boyfriend. Using grandfather's house and props from father's magic business they take revenge.
A profile in courage, the film examines the trauma and effort that Senator Edward Kennedy's son went through after losing his leg to a rare form of cancer and with the rehabilitation that was required.
When Sarah is forced to babysit her half-brother Toby, she inadvertently summons the Goblin King and he whisks Toby away to his castle at the centre of a labyrinth. Sarah enters into a bargain with the Goblin King where she is given just thirteen hours to solve the labyrinth and rescue Toby, or else lose him forever.
While in the first part, Lili searched for her mother, she now questions her mom on the identity of her father.
A rotund, jovial New Yorker, David Healy obligingly played every manner of stereotypical American in British films and on television for more than thirty years. The son of an Australian father and an American mother, he spent much of his youth in Texas. Studying at Southern Methodist University in Dallas, he majored in drama and befriended another young acting hopeful, named Larry Hagman. David first arrived in England as a member of the U.S. Air Force and soon wound up, along with Hagman, in the cast of a touring show written by John Briley. This later grew into The Airbase (1965), a 25-minute BBC sitcom (with David as Staff Sergeant Tillman Miller), which took a humorous look at British-American cultural differences at an RAF base. Considering his job prospects to be rather more lucrative in Britain -- in keeping with the 'bigger fish, smaller pond' theory - David soon found himself in almost continuous demand for any part which required an affable or imperious American. His long gallery of characters included diplomats, businessmen, bureaucrats, spooks, military brass, and so on. There were rare occasions, when he acted against type and played 'Britishers' -- a notable point in case being a likeable Dr. Watson, opposite charismatic Ian Richardson as Sherlock Holmes, in The Sign of Four (1983). His comedic side was showcased in guest appearances with Dick Emery and Kenny Everett and a with couple of turns in Jeeves and Wooster (1990). Though married and settled in Surrey, David took job offers on both sides of the Atlantic. He was glimpsed as a cleric in Patton (1970) and in Robert Aldrich's doomsday thriller Twilight's Last Gleaming (1977); well-cast as Teddy Roosevelt in Eleanor and Franklin: The White House Years (1977); and he had recurring roles in TV's favourite soapie of the day, Dallas (1978). British TV audiences saw him guesting in just about every major crime series, from The Saint (1962) and Department S (1969), to The Persuaders! (1971). Simultaneously, from 1967, David pursued a successful career as a stage actor in classical plays with the Royal Shakespeare Company and the National Theatre. In 1975, he re-visited his roots, playing Falstaff at a Shakespeare festival in Dallas. Ever versatile, David found another calling in musicals, appearing in "Kismet", "Call Me Madam" and "The Music Man". He received much praise for his interpretation of Runyonesque gambler Nicely-Nicely Johnson (played definitively on screen by Stubby Kaye) in "Guys and Dolls", performing show-stopping encores of "Sit Down, You're Rockin' the Boat". - IMDb Mini Biography By: I.S.Mowis
By browsing this website, you accept our cookies policy.