Every morning, Marcel confides in his tape recorder. It is from his reflections on life that this film takes us into the wake of his story.
Brother Marie-Victorin, founder of Montreal’s Botanical Garden, is bored with heaven and decides to return earth to help former agronomist turned beekeeper Albert save Quebec’s flora from a multinational that is poisoning the Earth with chemicals.
Marc Labrèche, the Director of this documentary, himself an author, actor and host, meets other creators to ask them these questions that inhabit him. Do artists have an expiry date? Do we create our best works in our youth or, on the contrary, does experience allow us to develop a greater mastery of our medium? In this respect, are there important differences between the different forms of art such as music, cinema and literature?
Montreal, 1940. The Second World War is raging in Europe. Pierre Sauvageau, 22, would like to enlist, but he has to take care of his twin sister, crippled from birth. This proximity awakens the sensuality of Berthe who tries to seduce her brother. Pierre rejects her advances, but when he falls in love with Marguerite, his best friend's girlfriend, he is haunted by the fantasy of his sister.
The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.
M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.
A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.
Georges-Henri Denys Arcand CC GOQ (born June 25, 1941) is a French-Canadian film director, screenwriter and producer based in Montreal, who crafts deeply personal and thought-provoking films, earning international acclaim. His career began with features like "Une Maudite Galette" (1972) and "Gina" (1975), exploring diverse narratives. "The Decline of the American Empire" (1986) depicted Quebecois intellectuals tackling issues of sexuality, success, and intimacy, winning critical acclaim, nine Genies, and a Cannes Fipresci prize. "Jesus of Montreal" delved into the lives of Montreal artists portraying biblical figures, blending day-to-day struggles with religious performances. Arcand's film "Stardom" satirized fame, closing Cannes 2000 and opening TIFF, a rare honour for Canadian cinema. "The Barbarian Invasions," a sequel to his earlier work, earned Arcand an Oscar, Cannes prizes, French Cesars, and Quebec Jutra awards, solidifying his cinematic legacy.
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