Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?
For a TV documentary, the two unemployed friends Benny and Marko pretend to be petty criminals with immigrant background until the coin flips and reality turns against them.
According to an African fairy tale, every child receives a song from their parents that they carry with them throughout their lives. Richard, an orphaned Tanzanian immigrant, has never had his own song. How he got one before his unexpected death and the significant, though unintended, roles played by the dark-tourism entrepreneur Drakuhl, the gray-haired hair model Barney and the heavy-drinking music teacher Kiesel won't be revealed here. Merely that the song Dead Man Play becomes an international hit.
History professor Baisch, his depressive and tablet-addicted brother-in-law Anzengruber and a manic cabaret artist have a car accident on a remote country road after a party. Wedged between two trees they get stuck, doors and windows can no longer be opened, the windows made of bulletproof glass cannot be smashed. Injured and with no chance of escape, they wait for days for rescue. Their only provisions are a bowl of herring salad and a few bottles of Prosecco. Fits of rage and fear alternate with overwrought hilarity and desperate fits of crying. But it gets worse...
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
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