Mila and Kia are a pair of teenage best friends and aspiring professional footballers. When the girls get a new demanding football coach, they slowly start to drift apart.
Set in a near-future Sweden, where jobs are scarce, margins are tight and corporate profit trumps all, this timely hybrid film reveals a frighteningly all-too-recognisable economic dystopia. Sköld highlights the effects of the ruthless system on families, friendships and communities. All but a hair’s breadth away from homelessness, zero-hours contract workers squabble over shifts at the discount supermarket while store manager Eleni, a new mother forced to return to work too soon, frantically pumps breast milk in the staff toilets. Poignant and compellingly performed, the film’s vignettes are punctuated with animated sequences, inventively exposing the dehumanising and absurdly wasteful effects of capitalism. And yet, beyond the store, an ever-growing ‘underclass’ offers a sense of hope through sustainability and true community.
Sofia panics during the planning of her wedding. A jumble of thoughts and images triggers an anxiety that Sofia struggles against and trying to overcome.
Three men who work in a canteen hear the stories and the problems of the night customers.
Two petty thieves dream of a trip to Amsterdam and decide to pull off the big trick: breaking into a rich man's house. They don't find any money, but they do find a secret that no one should know.
Chronis, Vaillia and Elftheria are not "IN." They are not featured in glossy magazines. They don't have perfect bodies, they don't make love on the first date. These three characters will cross paths.
By browsing this website, you accept our cookies policy.