Maxime Depratte, a charismatic company director, invites Corentin Michelot, his meticulous and unassuming accountant, to dinner to "fix" a compromising financial statement just hours before a board meeting. Ségolène, Maxime's wife, is very upset about being an accomplice to this foolish dinner. However, through misunderstandings and plot twists, the three of them will uncover the hidden sides of their own personalities.
Delphine, a saleswoman in a French fry stand, and Roland, a campsite warden, fall in love at first sight. They are in perfect love, but their big dream is to buy a house. Thanks to a friend, who puts together a fake file to obtain a loan, they acquire a piece of land and order a house in kit. From then on, Delphine and Roland will have to foil the traps that will accumulate before The construction of their kit house has become their obsession and a metaphor for the difficulties of their own couple.
After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.
In 1986, the director and producer Don Boyd approached ten of the world's greatest directors and invited them to make a short film set to an operatic aria of their choice. Together, their contributions formed the movie Aria. Here, the legendary French filmmaker Jean-Luc Godard, director of Breathless and Pierrot le Fou, brings his own unique interpretation to Jean-Baptiste Lully's opera Armide.
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