Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.
Two mental patients with opposite personalities ditch their Tuscan hospital and embark on an unpredictable exploration of the real world.
Taken from the four canonical Gospels and the seven apocryphal Gospels, the film starts from a basic idea: the betrayal by Judas was an act essential to the mission of Christ and the salvation of humanity.
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