Kristina is a transgender sex worker in Serbia. She plays herself in an eponymous film that portrays her daily life with reticence in accordance with the rules of fiction. We’re in Kristina’s home with her. With camp elegance, she contentedly arranges ikebana in the luxuriant, baroque shade of her garden. The surprisingly shrill ringtone of her telephone disrupts the idyllic scene and Kristina reels off the prices of her services to the caller. Tracing an inner journey in the secret calm of churches and forests, the film also opens up a space of confession in its core, in frontal shots where Kristina tells her story. It does not, however, follow the path of repentance. On the contrary, it asserts the profound freedom of a modern woman, captured majestically in a bold portrait with strokes inspired by iconostases that tend towards the divine.
Picture of most likely our greatest enemy but motivation as well - ego. Lonely, lost and confused, destructed and abused. How much we really know ourselves? How indeed we are capable to keep our love clear?
This is a story, actually a fairytale for adults, that expresses how life could be beautiful, if only mankind would get out of its own way and enjoy it for a change.
Relying on the work of Letonian scientist Constantine Raudive, Marko Mazibrada, a psychiatrist disappointed in his profession, performs experiments aimed to empirically determine whether there is life after death, by phenomenon of apophenia. Together with Simon Besedić, alcoholic and editor of Armageddon Monthly, the magazine that deals with the paranormal phenomena, Nikola Mrzopoljić, manual labourer and paterfamilias, and Eta, pharmacist and unusual prostitute which Besedić offers a relationship, he experiences a sequence of weird events...
It follows the two lead characters, Svaba and Ekser, as they try to make a living on the streets of Belgrade through the life of petty crime. Making matters worse is the fact that Shvaba owes a lot of money to a local big-shot criminal. And just when things seem lost for the two men, Shvaba's mother inherits a house in Baranda - a village near Belgrade no one's ever heard of. As Shvaba and Ekser happily rush to Baranda, hoping to sell the house and solve all their problems, the villagers are equally happy to see them, thinking that two businessmen from Belgrade are finally taking an interest in their village...
TV series which serves as an extended version of the eponymous feature film.
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