During a visit to childhood friend Edith, retired housewife Hetty Wainthropp discovers that Edith's husband, Frank, has a son by a previous marriage. Hetty decides to turn amateur detective to trace him. When this gives her a taste for detection, Hetty decides to set up a private detective agency.
A celebration of Max Miller , comedian and star. Presented by Gerald Scarfe with Max Bygraves Charlie Chester , Doris Hare Jean Kent , Alec McCowen, Tommy Trinder , Max Wall, Bernie Winters and Max Miller 'I'm ready for bed - anybody?' Max Miller , dazzling in chintz and gaudy plus-fours, one foot on the footlights, leering and howling with delight, confronted his audience. Sexual innuendo was his game. He trod a dangerous line, just this side of respectability, across the Music Halls of the 30s and 40s. On the stage of the Hackney Empire, with chorus girls and full supporting acts, Gerald Scarfe re-creates Max Miller 's rise from the back streets of Brighton to the top of the bill. The most outrageous comedian of his day, Max was banned by the BBC, in trouble over the Royal Command Performance, admired and hated by the comics of his age - and ours
From Wikipedia, the free encyclopedia Jean Kent (29 June 1921 - 30 November 2013) was a British film actress. She signed to Gainsborough Pictures during the Second World War. Kent's first good role in Two Thousand Women (1944), playing a stripper who is interned by the Germans. She was a Pacific Islander in Bees in Paradise (1944) with Arthur Askey and was the ingenue in a Tommy Trinder musical Champagne Charlie (1944). The turning point in her career came when she was given a dramatic part in the Gainsborough melodrama film Fanny by Gaslight (1944). The movie established Kent as Gainsborough's backup to Margaret Lockwood. Kent played another sexually aggressive girl in Madonna of the Seven Moons (1945) with Calvert and Granger. It was a big hit. Rank borrowed her to support Rex Harrison in The Rake's Progress (1945). Kent continued to have success in films. Her favorite film was musical Trottie True (1949) where she played the lead. Kent's film appearances grew less frequent from the mid 1950s onward. She had support roles in The Prince and the Showgirl (1957) and Bonjour Tristesse (1958) and a good part in the horror film The Haunted Strangler (1959). She was in the comedy Please Turn Over (1959) and the thriller Beyond This Place (1959). She was one of several female stars in Bluebeard's Ten Honeymoons (1960) with George Sanders. Kent was married to Austrian actor Josef Ramart from 1946 until his death in 1989, aged 70. They met on the set of Caravan. Actor Stewart Granger was the best man at their wedding. They appeared together in the films Caravan and Trottie True. Kent made her last public appearance in June 2011, when she was honoured by the British Film Institute on her 90th birthday. Kent died in the West Suffolk Hospital, Bury St. Edmunds on 30 November 2013, following a fall at her home in Westhorpe. The coroner recorded a narrative verdict that Kent died from accidental injuries and that cardiac disease may have contributed to a fall. Description above from the Wikipedia article Jean Kent, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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