Laurent Terzieff was more than a good actor, after having been a real "star" in the cinema, through his professional choices, he gradually became a real "conscience of the theater", so much had he thought about his art. He received six Molière awards and was always unanimously praised by his peers. “THE GHOST OF LAURENT TERZIEFF” is a daring portrait, as it explores in depth “the secrets of a soul” and the atypical journey of the actor.
An urban gigolo on the run from a mobster hides out at the remote cabin of a female novelist in this plodding romantic drama. Her neighbors include an elderly man with a penchant for growing sunflowers and an unhappy neighbor girl with emotional problems. Love blossoms for the unlikely couple who somehow realize their liaison is doomed to failure.
Documentary examination of the role of Hamlet, in which ten prominent actors who have played the part discuss Hamlet's personality, Shakespeare's play, and the enduring popular fascination it has inspired. The actors interviewed are Laurence Olivier, John Gielgud, Richard Burton, Nicol Williamson, Ben Kingsley, Jean Louis Barrault, Vittorio Gassman, Maximilian Schell, Innocenti Smoktunovsky, and Mandy Patinkin. Includes excerpts from various film and television versions of Hamlet, featuring these actors and others.
Jean-Louis Barrault (8 September 1910, Le Vésinet, Yvelines – 22 January 1994) was a French actor, director and mime artist, training that served him well when he portrayed the 19th-century mime Jean-Gaspard Deburau (Baptiste Debureau) in Marcel Carné's 1945 film Les Enfants du Paradis (Children of Paradise). Jean-Louis Barrault studied with Charles Dullin in whose troupe he acted from 1933 to 1935. At 25 years of age, he met and studied with the mime Étienne Decroux. From 1940 to 1946 he was a member of the Comédie-Française, where he directed productions of Paul Claudel's Le Soulier de satin and Jean Racine's Phèdre, two plays that made his reputation. Over his career, he acted in nearly 50 movies including Les beaux jours, Jenny, L'Or dans la Montagne and Sous les Yeux d'occident. In 1940, he married the actress Madeleine Renaud. They founded a number of theatres together and toured extensively, including in South America. He was the uncle of actress Marie-Christine Barrault and sometime sponsor of Peter Brook. He died from a heart attack in Paris at the age of 83. Jean-Louis Barrault is buried with his wife Madeleine Renaud in the Passy Cemetery in Paris. Jean-Louis Barrault, Reflections on the Theatre: "In fact it is the simplest things that are the most tricky to do well. To read, for example. To be able to read exactly what is written without omitting anything that is written and at the same time without adding anything of one's own. To be able to capture the exact context of the words one is reading. To be able to read!" Barrault from Melinda Camber Porter's Through Parisian Eyes: Reflections on Contemporary French Arts and Culture: "When I wake up in the morning I want to feel hungry for life. Desire is what drives me. When I go to sleep, I feel I have experienced a small death, so that I can wake up in the morning renewed and reborn." Description above from the Wikipedia article Jean-Louis Barrault, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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