Regarded by many as an influential figure in the history of cassette culture and DIY recording, Martin Newell has been an integral part of the British music scene since the 1970s, and his music career spans over six decades. He’s been produced by XTC’s Andy Partridge, and written for the likes of Captain Sensible of The Damned. Though it would be wrong to call him an "unknown", he has never been directly in the limelight. This film brings to light the amazing career and life work of the artist, who, on top of being the most published contemporary British poet as well as an established gardener, continues to record and release music today.
In this New Year’s Day performance, Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
Aureliano in Palmira celebrated its rst première on 26 December 1813 at the Scala in Milan. Soon afterwards the work was played in different theatres all over Europe. Nevertheless Rossini's piece fell into oblivion more and more compared to the great competitors like "Tancredi" or the "Barber of Seville" for which Rossini recycled musical parts of "Aureliano". But since a few years there are ambitions to play this work about love, war, jealousy, loyalty and magnanimity more frequently. The direction in Pesaro was in the proven hands of the famous lm director Mario Martone. Conductor Will Crutcheld contributes to the successful performance of the newly edited "Aureliano in Palmira" and masterfully directs the Orchestra Sinfonica G. Rossini.
"It can be truly said of Adelaide di Borgogna that, like a rose, it bloomed but a day - l'espace d'un matin." First performed in Rome on the 27th December 1817, it enjoyed very few revivals. In 2011 the Rossini Festival in Pesaro presented the second staged performance of Adelaide di Borgogna since 1825. The story of the opera was taken from a historical event that took place in the medieval period, marking the end of an independent Italian kingdom and leading to the birth of the German Holy Roman Empire through the efforts of Otto I of Saxony. Caught between political rivalry and the love of two men, Adelaide of Burgundy struggles to fight for her people and chooses Otto, the better ruler, for herself and her kingdom.
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