A final conversation with departed actor, director and musical producer Julio Calasso Jr., a key character in the Brazilian artistic scene. At his old house in Butantã, São Paulo, Julio talks about his experiences, frustrations, joys and tragedies.
Through a historical-affective reconstruction of the Boca do Lixo region, in São Paulo, the documentary aims to investigate what was the cultural, social and geographic impact that the cinema made there had for the city and for the country during the from the 1960s to the 1980s.
Rafael embarks on a shabby blue Landau and crosses the city of São Paulo gathering truths and lies about the set of his uncle Tico, the already legendary proto-punk-satirical Knee of Porco.
The ghosts of Boca do Lixo. Ido Oliveira still walks through Triumpho St.
The theatrologist, actor, director and overall polemist Plínio Marcos gets his life traced through images of the many spectacles he has put on interviews from various moments in his life, from the most rebellious and marginal, when he lacked resources for his art, to when he was invited to go to Paris and talk about his work
Experimental documentary short that debates over Rogério Sganzerla's Brazilian cult classic "The Red Light Bandit".
A sensationalist report is a parallel between a popular and a character in his process of transformation. "Thanks to Coffin Joe, Nayara is now on the left, over your heart, this body does not belong to you."
Xavier, a pharmacist, lives peacefully in bigamy with his two women, Carmen and Beatriz, but the harmony breaks down when they find he has another lover, Monique, a nightclub dancer.
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