The film presents the story of Robert - an aging, once-recognized artist who is today struggling with his own complexes and vices, and helplessness towards a new reality that ruthlessly throws him to the margins of existence. One day Robert finds himself in a roadside ditch hit by a dog's car. In a reflex of spontaneous compassion, he takes the dog home and begins to look after him.
Kasia and Pawel, having got married, live in the village of Brzozki, 10 kilometres from Grabow. Kasia wants to return to her pedagogical studies, so she does not want to have children yet. Pawel announces that he wants to break away from the traditional village farm and focus on specialised sheep breeding, which causes a family argument. Kasia's parents anxiously await the birth of their grandchildren. Things get even more complicated when the Wolanskis arrive in Grabow. They offer to help Kasia go back to university, but in return Kasia has to look after little Piotr as the docent is leaving for London where he has received a month-long study grant.
Roberto is a young Cuban who is visiting Poland. And times are not merry - the Cuban conflict is about to begin. His stay is not successful, so Roberto returns to his country.
A psychological portrait of Ewa, a young Polish theatre actress searching for her own way in life. She plays a minor role in Jasieński's 'The Ball of Mannequins', a complete opposite of her real personality, while aspires to star as Cordelia in Shakespeare's 'King Lear'. Ewa lives on her own, occasionally visiting a famous old actress to talk about theatre, taking care of a poor neighbor, and fights her sophisticated mother rejecting the truth about her beloved father, who died an alcoholic.
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