Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality. It is the story of strangers, auslanders who want to realize their dreams and ambitions outside their homeland. It raises topical issues of chauvinism, xenophobia and hatred of foreigners felt by both Germans and Poles.
The main character of the film has just received her dream apartment in an old tenement house. However, it is not allowed to enjoy it for too long. When he returns home with the child, it turns out that the tenement house has disappeared. The woman's goal is to find her own home.
Piotr is a freelancing journalist in early 1980's Poland. One day, he comes across a curious case of a woman's death during work and the workplace's refusal to pay the insurance to her mother.
Two young men from the margins of society start a spiral of crime that gets out of control.
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