A brand new interview with Carved: The Slit-Mouthed Woman director Koji Shiraishi.
Volume 2 of "Koji Shiraishi's Never Send Me, Please" with brand new footage added, not present in the theatrical version! After Koji Shiraishi watches a horrifying VHS tape, a mysterious woman calling herself 'Karame' calls him. Telling Shiraishi to "investigate Keisuke immediately". In addition, Karame sends Shiraishi a video clip showing Keisuke and Yuki entering Keisuke's room without permission and being filmed in secret. This incident prompts Shiraishi to start his own investigation.
Volume 1 of "Koji Shiraishi's Never Send Me, Please" with brand new footage added, not present in the theatrical version! Horror film director Koji Shiraishi receives a video of a young couple, Keisuke and Yuki, filmed in a dimly lit abandoned building that is rumored to be haunted. As they proceeded deeper into the ruins, Yuki suddenly disappeared without a trace. Keisuke panics and Yuki is finally found, a black shadow with a terrifying atmosphere swirls behind her. With Yuki now holding an old VHS tape in her hand. This VHS tape contains a horrifying and hair-raising video that took place in an abandoned village.
Horror film director Koji Shiraishi receives a video of a young couple, Keisuke and Yuki, filmed in a dimly lit abandoned building that is rumored to be haunted. As they proceeded deeper into the ruins, Yuki suddenly disappeared without a trace. Keisuke panics and Yuki is finally found, a black shadow with a terrifying atmosphere swirls behind her. With Yuki now holding an old VHS tape in her hand. This VHS tape contains a horrifying and hair-raising video that took place in an abandoned village.
The submitted footage, taken in a cursed ruin, shows a creepy altar, a "red woman" covered in blood, and the crying of a baby that is nowhere to be seen. The "Too Scary!" team of rough producer Kudo, director Ichikawa, and cameraman Tashiro have reunited. They will now transcend time and space to solve the mystery!
A washed up horror film director named Kôji Kuroishi and his assistant director named Miho Ichikawa visit a house deep in wooded mountains to film a movie. Once arrived, they meet a mentally deranged woman named Maria Miyoshi who proclaims she's a fan of Kuroishi's works. The woman pleads that she's experienced the same things as documented in Kuroishi's works. Unexplainable phenomena quickly begin to happen, so Kuroishi sets out to document these experiences and turn them into a film, together with the help of a 'super volunteer' named Shôhei Uno and a handsome psychic medium named Nanashi.
A washed up horror film director named Kôji Kuroishi (played by Kôji Shiraishi) and his assistant director named Miho Ichikawa visit a house deep in wooded mountains to film a movie. Once arrived, they meet a mentally deranged woman named Maria Miyoshi who proclaims she's a fan of Kuroishi's works. The woman pleads that she's experienced the same things as documented in Kuroishi's works. Unexplainable phenomena quickly begin to happen, so Kuroishi sets out to document these experiences and turn them into a film, together with the help of a 'super volunteer' named Shôhei Uno and a handsome psychic medium named Nanashi.
Koji Shiraishi (白石 晃士 Shiraishi Kōji) was born and raised in Fukuoka, Japan. After graduating from Kyushu Sangyo University with a degree in film making, he went on to work as an assistant director on such films as Gakuryū Ishii's August in the Water and Shinobu Yaguchi's WATER BOYS. He cites Gakuryū Ishii as his favorite Japanese director, and Ishii's 1980 Crazy Thunder Road as his favorite film. Other directors he admires include John Carpenter, Brian De Palma, Abbas Kiarostami, and Sam Raimi, and films he enjoy include the original Dawn of the Dead (1978), The Evil Dead (1981), Evil Dead 2: Dead by Dawn (1987), The Thing (1982), and The Texas Chain Saw Massacre (1974)
By browsing this website, you accept our cookies policy.
