Shot in six European countries, it tells the story of the concerts given by cult underground band Laibach during the siege of Sarajevo back in 1995.
As part of the Spectre world tour, Laibach returned to the city after which it is named (Križanke 16. 5. 2014). The concert was clearly divided into three parts. In the first part, they presented material from the new album. With Milan Fras and Mina Špiler in the foreground and a recognizable animation in the background, the band replayed the new album and ended it with the song Whistleblowers. In the second part, they played some old songs from Brat moj through B Machina, Leben Tod to See that my grave and kept clean. For the third part or additions, they left Tanz mit Laibach and Das Spiel ist Aus. Laibach proved once again that they remain a young, agile and current band.
Laibach performing at Letno gledalisce Khislstein in Kranj, Slovenia.
Filmed live in Trbovlje, Slovenia -- the town where they formed in 1980 -- industrial music group Laibach puts on a dynamic show at the tail end of the tour to promote their highly praised album "Volk." With their usual militaristic aesthetics, they perform most of the creative reinterpretations of national anthems included on "Volk." Music videos, animated screen projections from the show and other features are included.
Laibach North American Tour 2004 and Laibach live 13.12.2004 La Locomotive, Paris, France This Film is a unique document of the Laibach tour, during the traumatic post-election atmosphere in The USA, a country deeply divided by two opposite political and cultural poles. The tour has been therefore named "The Divided States of America Tour".
A 2003 Slovenian language documentary written and directed by Zemira Alajbegović Pečovnik, starring Laibach.
It reconstructs the lively bustle of the Ljubljana subculture scene in the 80s, and it was made by two insiders. With minute and swift editing of the picture and sound, the makers compiled a number of documents and video shots made between 1982 and 1988.
In the video film shots from the tour are interspersed with acted scenes, video clips and theoretical reflections of Slavoj Žižek and critic Chris Bohn. Together they form a compelling story about Laibach, controversial Slovene music group in the eighties.
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