A comedic tale created by the late actor Hussein Imam to pay tribute to the stars of the Egyptian cinema in its golden age. The main story is based on mixing scenes of 21-star from black and white period with other scenes written by and starring Imam so that the final product is the rediscovering of old stars in a new context.
A social comedy series that tells the story of a conman, Nadim Bahns, and his partner Makram. Nadim justifies his scams by claiming that he's an artist, who has a skill that not many people possess.
Munira falls in love with Sayed who works as a driver for her family. Her family forces her to marry someone else, and Sayed marries his cousin, Amina, who gives him money and he becomes a businessman. He divorces Amina and meets a woman whose family can help him with his projects.
In a dramatic context, the events of the series deal with the changes of the social relations between the Shazli family members and its head, Mahmoud, from the Royal era until the events of 1952.
After losing his job and the family of the woman he loves rejects him, a man travels to his relative in Austria to find suitable work, but when he does not find him, he lives with a a group of immigrant Egyptians and meets Margret, who converts to Islam and marries him.
The idealistic rural man Abo El-Ela resumes his journey with his family, as he struggles to fight corruption and greed around him while trying to keep his loved ones away from trouble.
Fawzi was born in Turkey to Egyptian parents. Her father owned fabric stores in Cairo, Damascus and Istanbul. She won Miss Egypt contest in 1940 and was awarded a small role in the Egyptian movie Wives Factory in 1941. After Her debut role, She then went on to star in numerous roles between film and television, until the beginning of the 21st century, she retired a few years before her death. Among her most notable roles were those in The Victorious Salah Eldin, Hell's Ambassador, and The Ladies of Garden City. She married three times firstly to fellow Egyptian actor Aziz Osman, followed by Anwar Wagdi, and then Galal Moawad.
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