Larry Holden

Overview

Known for
Acting
Gender
Other
Birthday
May 15, 1961 (64 years old)
Death date
Feb 13, 2011

Larry Holden

Known For

If I Am Your Mirror
0h 19m
Movie 2012

If I Am Your Mirror

A psychologically scarred Civil War veteran's journey to the gallows. Inspired by the 19th century Romantic era painting and Edgar Allan Poe's 'The Tell-Tale Heart'.

Memento
1h 53m
Movie 2000

Memento

Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.

Every Dog Has Its Day
1h 33m
Movie 1998

Every Dog Has Its Day

After getting fired from his teaching job and dumped by his girlfriend, Jack, a painter, embarks on a soul searching road trip with his dog, Scout. However, bad weather and bumps in the road quickly cause more problems than he can handle. An impulsive decision to take from a bag full of unknown pills leads him on a drug-fueled journey with no destination in sight, and he soon finds himself making both friends and foes along the way.

The Devil's Child
1h 30m
Movie 1997

The Devil's Child

A woman's mother makes a last-minute deal with the Devil to save her daughter's life, not realizing that her daughter's life is her stake. The daughter lives but with no chance of children. 20 years later, she mysteriously becomes pregnant after meeting a dashing stranger. Yet people are dying around her...

The Arc
1h 36m
Movie 1991

The Arc

Tregenza’s second feature takes the form of a highly metaphorical road movie, as the isolated protagonist (Jason Adams) drifts from gainful employment in the East (as an arc welder in Baltimore) to a spiritual apotheosis in the West. “The formal treatment of the material ranges from rapid montage (in the opening sequence) to more conventional editing to lengthy takes without any apparent consistent pattern. Tregenza remains a master cinematographer throughout, and the various ellipses between sequences are often as provocative as the sequences themselves” (Jonathan Rosenbaum).

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