A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.
Set in the near future, multi-national corporations are Europe’s new leaders. One of the most powerful, Promethee, wishes to further secure their growing dominance by replacing the police force with their own private militias, the Black Squad, led by Henry Munro. Following the shooting of his daughter, his life in shambles and darkest secrets exposed, an idealistic law enforcement officer, Sirius, with nowhere to turn, aligns himself with an old cop Franck Varnove. Sirius takes charge of Franck’s clandestine, elite squadron, Section Zéro, to battle these dark, violent militias, promising a return to traditional law enforcement before the world they’ve known disappears forever.
Véra Bellini fights with her psychic friends for their gift to be recognized by medicine. But her opponent Doctor Pelletier thoughly resists and will reveal a difficult secret about Vera's life.
Historical drama centred around the legendary Breton heroine Marion du Faouët who was born Marie-Louise Tromel in 1735 in the little village of Faouët in Brittany. She became the leader of a group of highway robbers.
After abandoning his poetry, from 1880 until his death in 1891, Arthur Rimbaud drifts between Yemen and Abyssinia as a shopkeeper, trader, explorer, and arms trafficker.
Russia, 1870. A group of young anarchist revolutionaries set out to overthrow the Czarist regime through violence. Their attacks create a climate of psychosis and mutual distrust among the population, but in reality, both revolutionaries and repressors are being manipulated by a diabolical individual.
Charlie (Guy Marchand) returns home after being declared legally dead to reclaim his wife Georgia (Caroline Cellier) and cash in on a lucrative life insurance policy in this shadowy drama. He finds Georgia is married to the crooked cop William (Niels Arestrup), who has his eye on the insurance money. Antihero Charlie and the villainous police inspector head towards an inevitable confrontation, while Georgia is caught in the middle.
Two twin brothers, Romain and Sylvain, live together in an isolated house by the ocean. Between them, violent relationships that oscillate between love and hate. The guardians of the house watch, fascinated and powerless, their dangerous games. Until the day when Hélène, who has already lived with them, returns to look for Sylvain, with whom she has chosen to live.
Pierre is the artistic director of a theater, and when his daughter Manon lets him know that she is coming to see him after a year's absence, Pierre decides to prepare for the meeting. He goes to the theater with his girlfriend Ariane and has the actresses in his troupe act out different aspects of his daughter's character. Unfortunately, this is not adequate preparation, for when Manon does show up, nothing goes quite as he imagined...
Laurent Marie Guespin-Malet (born 3 September 1955 in Bayonne) is a French actor, and the twin brother of actor Pierre Malet. Malet's stage debut came in La guerre de Troie n'aura pas lieu as Troilus alongside Claude Jade in 1975. In 1978 he was made famous by his Andrew alongside Donald Sutherland and Stéphane Audran in Les Liens de sang by Claude Chabrol. That same year, Gilles Béhat gave him the lead role in Haro. En 1979, he starred alongside Yves Montand in Les Routes du sud by Joseph Losey and played Lino Ventura's son in Jigsaw (L'Homme en colère). He also played Roger Bataille in Rainer Werner Fassbinder's Querelle (after Jean Genet), and starred alongside Sandrine Bonnaire in 1984's Tir à vue, directed by Marc Angelo. In 1995 he played Arthur Rimbaud in Marc Rivière's L'Homme aux semelles de vent. Highly attached to his brother and mother, he feels asked by the latter (in the terminal stages of a brain tumour) to put an end to her sufferings. He writes of this in his 2006 book En attendant la suite, in which he calls on the candidates in the presidential election to bring the state to legislate on euthanasia. Source: Article "Laurent Malet" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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