Beginning just before his debut as Frankenstein’s creation, this documentary compellingly explores the life and legacy of a cinema legend, presenting a perceptive history of the genre he personified. Karloff's films were long derided as hokum and attacked by censors, but his phenomenal popularity and pervasive influence endures, inspiring some of our greatest actors and directors into the 21st Century – among them Guillermo Del Toro, Ron Perlman, Roger Corman, and John Landis, all of whom and many more contribute their personal insights and anecdotes.
Forced to return to his struggling hometown after an expensive college degree, Killian gathers former childhood friends to audition for a music festival coming to their once prosperous steel town.
Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce.
This documentary recounts the difficult choice actress Mary Astor had to make after learning her personal, very intimate, diaries had been stolen. The film tells the story of Astor's 1936 child custody case.
“We are the stories we tell ourselves.” Seeing is Believing: Women Direct is a documentary series about directors, leaders… who happen to be women.Audiences will hear directly from women who are on the front lines of the field: from major award winners to NYU students, festival darlings to frustrated auteurs. They will discover the pathways to successful creativity as well as how these filmmakers drive through obstacles creative, cultural, and professional. The film ultimately will act as a toolbox for any filmmaker as well as “peer to peer mentorship” for any person who is looking for creative or professional guidance as they move toward their own dreams of being a visual storyteller.
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
Lee Grant (born Lyova Haskell Rosenthal; October 31, during the mid-1920s) is an American actress and director. She made her film debut in 1951 as a young shoplifter in William Wyler's Detective Story, co-starring Kirk Douglas and Eleanor Parker. This role earned her an Oscar nomination for Best Supporting Actress as well as the Best Actress Award at the 1952 Cannes Film Festival. In 1952 she was blacklisted from most acting jobs for the next 12 years. She was able to find only occasional work onstage or as a teacher during this period. It also contributed to her divorce. She was removed from the blacklist in 1962 and rebuilt her acting career. She starred in 71 TV episodes of Peyton Place (1965–1966), followed by lead roles in films such as Valley of the Dolls, In the Heat of the Night (both 1967), and Shampoo (1975), for the last of which she won an Oscar. In 1964, she won the Obie Award for Distinguished Performance by an Actress for her performance in The Maids. During her career she was nominated for the Emmy Award seven times between 1966 and 1993, winning twice. In 1986 she directed Down and Out in America which tied for the Academy Award for Best Documentary Feature, and in the same year she also won a Directors Guild of America Award for Nobody's Child. Description above from the Wikipedia article Lee Grant, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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