When his attempt to save his family inadvertently alters the future, Barry Allen becomes trapped in a reality in which General Zod has returned and there are no Super Heroes to turn to. In order to save the world that he is in and return to the future that he knows, Barry's only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?
Tonight the World draws from a cross-section of dream diaries kept by Martin’s grandmother, Susi Stiassni, who fled the imminent Nazi occupation of Czechoslavakia in 1938. Through five chapters, the film links as many dreams sited in Susi’s childhood home, Villa Stiassni, a modernist mansion built by Susi’s parents, who were prominent Jewish textile manufacturers in the industrial hub of Brno. Conjured in Susi’s imagination from her middle-age onwards, in the context of psychoanalysis, the dream diaries as a whole span 40 years and 40,000 dreams, but Martin’s selection focuses tightly on dreams about intruders within the Villa, recreating a narrative of threat and escape that parallels Susi’s lived experience. Retracing the legacy of her grandmother’s emotional history, Martin considers the unconscious underpinnings of intergenerational trauma, loss and resilience.
He Knew He Was Right was a 2004 BBC TV adaptation of the Anthony Trollope novel He Knew He Was Right. It was directed by Tom Vaughan.
A corpse is found in an ice house ten years after Phoebe's husband went missing. The police seem determined to accuse Phoebe, to the delight of the villagers.
Finney is a 5-hour, 6-episode made-for-British television film that follows the struggle for power between various crime families in the North of England.
Nathaniel Box, a self-styled prophet, along with his daughter Barbara and her fiancé Curtis, holds a night time press conference in an underground car park, devoutly believing that "a new Messiah for a New Age" will appear there before dawn - and their wait does not go unrewarded.
A single mother returns to her home town after fifteen years of unhappy marriage and fights to make a better life for herself and her children.
Neglected by her family, kept apart from her grandchildren, desperately short of money, Bea begins to gamble - at first for small stakes, but ultimately for the highest stake of all: revenge for the past.
While researching the work of author D.H. Lawrence (Kenneth Branagh), Kate (Alison Steadman) begins a romance with a fellow academic, and learns about Lawrence's love affair with the married aristocrat Frieda Von Richthofen (Helen Mirren) in this made-for-television drama. As Lawrence and Von Richthofen fall deeper into their forbidden relationship, Kate grows more familiar with Lawrence's work, such as the sensuous Lady Chatterly's Lover.
Lynn Farleigh, a Bristolian, trained at The Guildhall School of Music and Drama and began her career in rep at Salisbury. She has worked many times for the ESC, the RSC and the National Theatre, recently in the acclaimed production of “Three Days in the Country”. Shakespeare roles include Helena in All's Well That Ends Well, Viola , Hermione, Lady Anne, Titania, Portia and Lady Macbeth. Much television work includes Steptoe and Son, Pride and Prejudice, Finney, Out, Wycliffe (as Helen), Midsomer Murders, and more recently in Vera, Lightfields, Casualty, EastEnders and Silent Witness. Lynn works with students and young actors and has directed eight plays for the British American Drama Academy, the most recent was her version of “The Curious Incident of the Dog in the Night Time”. She lives in north Oxfordshire with her actor husband and a very elderly but demanding three-legged cat, Lucie!
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