A comedy revolving around the three women: Esmat, Karima, and Gamila, who become victims of a scam because of a villa they decide to buy. Now they must learn to coexist under the same roof, or to wait until one of them manages to have the villa for herself.
The story deals with the story of the widow (Huda), who suffers from problems with her husband's brother who wants to take over her inheritance and her children, and the problems between them come to court, while trying to help a young student carrying a colleague from her, Upside down .
When Shaikhon marries Dalal, a belly dancer, they are blessed with two kids. Shaikhon steals Dalal's money to buy the club where she works. Dalal gets back at him and reports him to the police who have him imprisoned. When he comes out of prison full of vengeance, his past ghosts still haunt him.
Officer Khaled is on the hunt for a gang that deals drugs. When the son of the gang leader is killed during a chase, Khaled doesn't realize that he is the son of the influential Esmat who vows revenge.
Kawthar is a drug dealer who throws the accusations on her maid who gets sentenced to life imprisonment. Kawthar adopts the maid's daughter and helps the rest of the children. The daughter grows up and works as a police officer and meets a thief that she believes she can turn into a good citizen.
The doctor (Medhat) returns from abroad after obtaining the doctorate, works at the hospital of Dr. (Adham), and progresses for the sermon (Nadia), the daughter of Dr. (Adham); causing (Ilham) the nurse; who loves him madly, to collapse.
Tahar returns from exile and informs his sons (Issam) and (Omar) of the secret of his burial for a bag full of gold and jewelry in the garden of the villa that he owned before his exile.
Farida lives with her husband and co-worker Hamdy in his family's apartment, while their boss Abdel Aziz falls for Farida. After Hamdy divorces her, Farida marries Abdel Aziz, only to discover that he's a playboy who has a weakness for maids and she decides to use this against him.
A widow bullied by traders in the fish market from further commercial aims after the death of her husband,a worker stand by her side and help then married her,but does the money and power change him ?
The big businessman Magdy marries Samiha after her divorce from Medhat and asks her family to keep the matter secret in order to preserve his family's integrity. Magdy is surprised by his daughter Mona, who finds out about his marriage. As for his wife Siham, her pride prevents her from confronting him. Magdy finds a solution: for Samiha to live in his apartment in London, with him traveling to her every month.
Nabila is an Egyptian actress and is among the best recognized cinema figures as she was dubbed “Egypt’s first star”. She was born to a wealthy family and her talents were noticed by the Egyptian director ‘Atef Salim in the film “Mafeesh Tafahom” (“No Understanding”) on which she did not utter a single word. Thereafter she assumed the lead on the film “Rabi’ah al-‘Addawiyah”. Nabila was married to her discoverer ‘Atef Salim for a few years. She worked in Lebanese cinema and on stage. On television she assumed the lead on works such as “Bardees”, “Sahibat al-Galala” and “al-‘Amma Nour” (“Aunt Noor”) in 2003. On radio Nabila worked on “al-Sabr fee al-Malahat”. The actress also produced some of her own movies such as “Wa Saqatt fee Bahr al-‘Assal” (“I Fell into a Sea of Honey”), she also worked on stage with Tahhiya Karyoka on “Robabika” and received the award for best actress for her role in the film “La Yazal al-Tahqiq Mustamirran” (“The Investigation is still Ongoing”) in 1979. Nabila also received the award for other films such as “Intihar Sahib al-Shaqa” (“The Suicide of the Flat’s Owner”), “al-‘Azraa wa al-Sha’r al-Abyad” (“The Virgin and the White Hair”) and “Khatib Mama” (“Mother’s Fiancé”). Nabila was chosen as a member of the judge’s committee in the 2003 Cairo International Film Festival. She is considered among the Egyptian stars who are most intelligent and capable of survival and she dubbed herself “Egypt’s first star”. Nabila established herself following “Rabi’ah al-‘Addawiyah” however the crucial part of her life began when she started producing. She was in her best form with Ashraf Fahmy and in works adapted from Ehsan ‘Abd Al Qudoos. Also among her most important roles was “Kashf al-Mastoor” (“Revealing that which is Hidden”) and “Toot Toot”.
By browsing this website, you accept our cookies policy.