Charlotte, an alienated sound engineer, travels to the country home where her mother was just murdered. She is quickly frustrated by the lack of progress in the police investigation and so begins her own. While listening to a fresh sound recording she made in her mother's house, Charlotte discovers a strange phenomenon, she can hear sounds from the past in her headphones. Soon she is using this ability to hear the past to piece together the last few days of her mother's life, drawing ever closer to discovering who killed her, even as the murderer returns to try and eliminate Charlotte before they are discovered.
A poor but ambitious young man arrives in Paris and settles down in the boarding house run by Madame Vauquer. He soon gets to know the guests: Victorine Taillefer, a young lady her rich father refuses to recognize; Horace Bianchon, a medical student; Monsieur Vautrin, a mysterious and disconcerting man; Goriot, a rich merchant who spent all his fortune for his daughters, Delphine and Anastasie, to make a rich marriage. Eugène becomes friends with Goriot but while the former, thanks to his cousin Madame de Beauséant, is introduced in high society, Goriot, both exploited and scoffed at by his daughters, continues his descent into hell.
Between 1905 and 1918, the opposing destinies of two brothers from a large Catholic bourgeois family.
Isabelle Nanty is a Paris concierge, four children to look after and a fifth in gestation with a loutish and uncaring husband who runs off with the girlfried of one of the lodgers in her building. This same lodger called Le Bison has rather strange hours and both he and Dorine ( the concierge ) get on each other's nerves because each makes noise at the "wrong" time for the other ! The fact that their respective mates have run off together nevertheless bring the two together and with Dorine's children getting very attached to Le Bison, there are the makings of an "idylle" between the two of them which the return of the two offending mates fails to break
A bygone symbol of the luxury of yesteryear and a true institution in a provincial town, the "Grand Magasin" is living its last hours. Indeed, the management, which can no longer afford the establishment, is preparing to sell the store to a large distribution group. Agathe, a saleswoman in the men's department for more than 25 years, is shocked to discover that all the staff will be laid off. Feeling both betrayed and responsible for the future of the "Grand Magasin", she becomes a passionaria, leading her colleagues to revolt, a true leader. The operation finally seems to bear fruit when the sale is cancelled and a new director is appointed.
Sandrine, a former fashion designer who is unemployed, is now working in a garment factory as a worker. There she meets Mathieu, the company's human resources manager and a former childhood sweetheart. The two of them get closer, but their relationship is hampered by the economic crisis that is catching up with the company... The employees then decide to join forces to buy the company by creating a clothing line, "Les P'tits Lutins", for which Sandrine is, of course, asked to contribute. However, the situation turns out to be tense. How will Mathieu react to these new directions?
A subsidiary of Générale Financière d'Investissement (GFI), Medic-Hall, a medical equipment company, employs nine salespeople. As part of the restructuring of the group, management decided to separate from them, without paying them severance pay. For this, the company called on Sébastien Jalabier, a degreasing specialist, who undertakes to make them resign by resorting to various means of pressure: tracking down professional misconduct, humiliation, bullying, thankless tasks ...
65 years old Agathe Ledu refuses to grow old alone. That's why she's visiting the graveyard on a daily basis, honouring her husband and son, Breton sailors lost in sea five years ago. She's talking to them, all the while knitting. But for whom is Agathe knitting ? (One of the two shorts that inspired "Amélie".)
Nadia Barentin (17 October 1936 – 22 March 2011) was a French actress, known for her theatre and film roles, including Les Blessures assassines in 2000. She was nominated for the Molière Award for Best Supporting Actress for Monsieur Klebs et Rosalie in 1993. Barentin died on 22 March 2011, aged 74, from undisclosed causes. Source: Article "Nadia Barentin" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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