Nathalie Bryant

Overview

Known for
Acting
Gender
Other

Nathalie Bryant

Known For

Until We Meet Again
0h 6m
Movie 2024

Until We Meet Again

A grieving widower reflects on the cherished moments he shared with his late wife, reliving their final days together through bittersweet memories that reveal the depth of their love and the pain of their loss.

According to Her
1h 30m
Movie 2016

According to Her

Love, motherhood and a musical career strike dissonant chords in this dark tale of a young Russian woman who tries to keep her balance among wealthy French expats in New York.

When Death Calls
1h 31m
Movie 2012

When Death Calls

Disc jockey Roxy Richards encourages her listeners to call in and share scary stories during a live broadcast on Halloween night: A psycho stalks an elementary school teacher, an adulterous one night stand goes horrifically awry, a young couple who decide to stay in find themselves in great danger, an engaged woman gets terrorized by a predatory monster that lives in the basement of her boyfriend's home, and a murdered housewife returns from the dead to torment her unfaithful husband. Meanwhile, Roxy receives an unsettling call from a mysterious person.

Biography

Nathalie Bryant studied Fine Arts and Psychology in France before finding herself immersed in acting. She gained critical acclaim in 2016 for her role in According to her (Dir. Estelle Artus). Nathalie moved to New York where she graduated from HB Studio. She also followed a Meisner training with Wendy Ward, and studied acting with Karen Kohlhaas. Nathalie's New York stage credits include Natasha in Three Sisters (Dir. Amy Wright), Koukou in Folie Pure (Dir. Eleonore Dyl), Estelle in No-Exit (Dir. Brice Baille), and Jo in In the Ring (Dir. Alex Oppecini) which she also co-produced. In 2013, Nathalie co-created Diffractions Theatre, a theater collective promoting French authors and plays in French. Although Nathalie worked mainly for stage theater, she has recently taken on numerous film roles such as Hamartia (Dir. Loredana Gasparotto), Miscommunications (Dir. Matt Stevens), When Death Calls (Dir. Jim Haggerty), and Brooklyn Gangster (Dir. Kenya Gaggle).

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