In this cinematic zine, directors scattered all over the world adapt to screen hilarious and poignant Belarusian news stories. Featuring phone thieves, TikTok storks, the tiniest castle in the world, and victims of the depression epidemic.
A self-portrait in winter. The director is taking a short rest among the key locations of his life. He reminisces about places forgotten, years gone by, and friends gone away.
The most postironic comedian of Belarus Alexey Suhanok performs with a double solo program "Пакет панчлайнов" / "Белоруссия" in a forest swamp during the Independence Day.
After Mike’s so-called friends decline his invitations to discuss movies, he enters the exciting new world of webcam movie buddies.
A cycle of mundane violence, lust for art, and existential dread—all chronicled in an unconventional self-titled docu-horror by Nikita Lavretski, who violently edits lo-fi footage of himself from age 0 to age 16.
Three directors make a movie about the events of their past week. Relationships, work, and day-to-day personal struggle—the minute details still fresh on their minds—are shown with unseen crystal clarity that challenges the very notion of dramatic fiction.
The filmmakers get confronted by strangers asking help with their political statement.
Nikita Lavretski (1994, Minsk, Belarus) is “the most interesting gagman of the invisible Belarusian scene” (per Cahiers du Cinema). His debut feature “Belarusian Psycho” (2015) won the Best Belarusian Film Award at Minsk International Film Festival Listapad. In 2018, he completed a master's degree in film studies at Belarusian State Academy of Arts. Since 2020, his dissident movies, blending fiction and nonfiction, screened at ArtDocFest, DAFilms, Filmadrid and Doclisboa, with “A Date in Minsk” winning the International Competition at the latter festival. His writing on cinema and TV has appeared in “Iskusstvo Kino”, “Afisha”, and “Outskirts”.
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