An ex-soldier with a criminal past takes refuge in the woods. A demonic figure seeks the seed of killers and the blood of the damned to feed his mandrake garden. DIS is an infernal descent into the root of the mandrake legend and a man who wanders too close to that legend and the unnamable terror behind it. What you sow you will reap.
In-Between Takes is a story of what happens in between two takes on a film set, and showcases the subtle conflict that arise between cast and crew, told from the static observations of the film set's camera.
American corporations are using the North American Free Trade Agreement by opening large maquiladoras right across the United States–Mexico border. The maquiladoras hire mostly Mexican women to work long hours for little money in order to produce mass quantity products. Lauren Adrian, an impassioned American news reporter for the Chicago Sentinel wants to be assigned to the Iraq front-lines to cover the war. Instead, her editor George Morgan assigns her to investigate a series of slayings involving young maquiladora factory women in a Mexican bordertown.
Venusita falls in love with the son of a wealthy family whose mother sends her son off to the United States in order to keep the two apart. Not to be rejected so easily, Venusita visits Saurina the sorceress who comes up with a spell that kills off the merchant and zaps the son back home, but Venusita's problems are far from over.
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