Former Warhol Superstar and creator of the seminal sexual politics performance spectacular Bitch!Dyke!Faghag!Whore!, Penny Arcade, washed up on the shores of the Lower East Side of New York as a teenager in 1967. After decades in the Downtown art world, Penny’s personal relationships with dozens of outrageous characters, from the world famous to the fascinatingly obscure, led to the creation of the Lower East Side Biography Project, an oral history of New York’s Bohemian culture from the 1950s to the present. These half-hour biographies have broadcast weekly on Time Warner Manhattan Cable Television for 20 years. Beyond Queer is a feature documentary compiled from these television interviews.
Created from a treasure trove of archive, Queerama traverses a century of gay experiences, encompassing persecution and prosecution, injustice, love and desire, identity, secrets, forbidden encounters, sexual liberation and pride. The soundtrack weaves the lyrics and music of John Grant, Goldfrapp and Hercules & Love Affair with the images and guides us intimately into the relationships, desires, fears and expressions of gay men and women in the 20th century – a century of incredible change.
Born Denis Charles Pratt, Quentin Crisp was a writer, an artist's model, an actor and a raconteur. He became a gay icon after the publication of his memoir, The Naked Civil Servant in 1968, and even more of a celebrity when the book was filmed in 1975 with John Hurt in the starring role. This documentary asks how such a public figure - and a queer icon - fits into ideas of family, and in particular into his own family. Through an exploration of photographs, home movies and interviews with relatives, UNCLE DENIS? reflects on how traditions of familial memory-making intersect with the more public image-fashioning of one of the twentieth century's most determinedly self-made men.
The colleagues, collaborators, and former lovers of a recently deceased theater personality gather together for an impromptu memorial service in this drama featuring the final full-length feature performance of actor Quentin Crisp. Heartfelt pathos blends with over-the-top comedy when the driving force behind a controversial theater group dies. Frank David Niles was the heart and soul of the "In Your Face" theater company, and now his friends and colleagues are determined to give him a proper send off. In addition to marking Crisp's final full-length feature performance, Red Ribbins also marks the return to the big screen for former The Devil in Miss Jones star Georgina Spelvin.
Tells the story of Nelson Sullivan who was the unofficial video documentary filmmaker of the late 1980s downtown New York nightlife and LGBTQ+ community, with extensive archival segments directed by Sullivan himself.
Two competing lawyers join forces to sue a prestigious law firm for AIDS discrimination. As their unlikely friendship develops their courage overcomes the prejudice and corruption of their powerful adversaries.
Naked in New York begins in the car of grown up Jake, he is talking to us about his girlfriend, Joanne, and to whom you can turn to for help while facing life. From there it flashes back to his memories of his parents, college, house across from a squirrel infested peanut factory, best friend, writing career and Joanne.
England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.
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