Realizing that a violent killer could be someone she went to high school with, a gossip reporter reconnects with her past to uncover the truth.
An introspective journey of a Filipino daughter attending the funeral of her estranged OFW father in a city in Japan that is rebuilding from the aftermath of the March 2011 tsunami.
Hokkaido, Japan: An old woman -- formerly a man -- lives by a lake in the northern reaches of Japan, gazing at Nakajima Island in its center where her daughter's body was found long ago. She hasn't been able to visit for almost 50 years. Tokyo: A middle-aged man lives on an island where criminals were once exiled in the past, earning a sparse living as a cattle herder. He is descended from such exiled criminals. He raised his only daughter by himself after losing his wife in an accident. One day, the daughter comes home from the mainland, seemingly pregnant but unwilling to explain.
Tsuchiya, who lives with his single mother in Osaka, does not get serious work once he graduates from high school, but rather devotes himself to mailing jokes to the “Ohgiri” variety show. Seeking to be recognized as a show “Legend,” he devotes his entire life to laughter, setting himself the task of submitting hundreds of entries per day. At loose ends, he encounters a drifter, Pink, who finds him work at his bar while Tsuchiya now devotes himself to becoming a “postcard craftsman” who submits material to a radio program. The entertainers on the program begin to use material from his postcards. A comedian Tsuchiya admires, one of a comic duo called “Bacon,” says on the air that he admires Tsuchiya’s material and that he wants “to do material together.” Dreaming of another chance, Tsuchiya heads for Tokyo.
In the heart of Osaka's old neighborhoods lies a run-down apartment building known as "Copo." Its thin walls and lack of privacy are home to a group of residents, each struggling with their own pasts and uncertainties. Yuri, a part-time worker, has fled her family, while her neighbors—an aloof man who lives off women, a shy laborer with clumsy affections, and an older resident running a mysterious business—navigate their complex lives. The discovery of a fellow tenant’s death forces them all to confront their personal dilemmas and the fragile nature of life in the "Copo."
Based on the comic by Tsuchida Seiki, inspired by the artist's own life experience, this film portrays the loss and regeneration of the life of four men.
Keiko Tsuruoka’s film is at once traditional and contemporary: it gently mixes present-day gender and sexuality politics with the old-fashioned Japanese domestic drama. Traditional lacquerwork kitchenware is the Aoki family’s legacy, handed down to patriarch Seishiro (Kaoru Kobayashi) by his now-ailing father (Masayuki Suzuki). Seishiro expects to pass it in turn to his son Yu (Ryota Bando), but Yu has no interest in the craft—quite unlike daughter Miyako (Mayu Hotta), who loves it dearly. The stage is set for conflict, as established cultural traditions collide with modern mores…
Yamane Mito lives her life as the charismatic influencer "MITOYAMANE", supported by her younger sister Miho. One day, she is approached by her agency about collaborating on an app. The app becomes very popular and Mito's face is spread around the world...
Momo, 24, was recently dumped by Kentaro. Spotting his new girlfriend Riko on Instagram, Momo tracks her down and confronts her, proposing a secret alliance.
Reiko Kataoka (片岡 礼子, Kataoka Reiko, born December 20, 1971) is a Japanese actress. She won the award for best actress at the 45th Blue Ribbon Awards for Hush!.
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