We take him for someone else, a Mr. Schmitt. And one evening, at dinner, he and his wife, played by Valérie Bonneton, realize that their apartment has changed, that their business is not theirs. The play is about the perception of oneself. I love the absurd universe of its author, Sébastien Thiéry.
A young woman moves to Paris and has a brush with disaster. Grown-up at last, an accomplished woman thought she was safe from her own past. Gradually, these characters come together to form a single heroine.
A cop investigates whether the man convicted of murdering his daughter is really guilty.
Director Arnaud de Pallières presents an experimental three-part film designed to stimulate the intellect and inspire reflection on the past. The first part tells the story of the last living Holocaust survivor, who is nearing the end of life and regrets not leaving behind an official record of the horrors he witnessed during the dark years of World War II. Later, a young historian researching a concentration camp in Drancy is shocked to discover that the site now houses an unwelcoming housing project called La Muette (the Silent). The trilogy winds to a close with the story of a ship's captain who recalls the time he ventured up an uncharted river towards an undiscovered civilization.
In a specialized, hermetic drama about love won and lost, not necessarily by the same individuals, novice director Christine Laurent has focused on the backstage melodramas of an opera company. The conductor for an upcoming performance of the Marriage of Figaro has his mind and heart on other matters -- an entrancing diva who keeps him enraptured with her presence and voice. In the meantime, he finds fault with his cast members who cannot, of course, measure up to the woman of his dreams. As singers encounter one problem or another, it is clear that something has to be done about the conductor. Director Laurent designed costumes for both theater and opera, giving her some insight into the venue.
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