A portrait of the legendary actor Jean-Pierre Léaud, icon of the French New Wave and closely linked to the work of François Truffaut and Jean-Luc Goddard.
"For reasons of health, Lee Kang-sheng and I moved to the mountains. We don't have any neighbors. Our house is part of a row of dilapidated houses. I love these abandoned houses. I often walk around in them casually. I think they are beautiful. I said to Lee Kang-sheng: we don't have to go elsewhere to make films anymore. I'll make all my remaining films right here. I got some old chairs and some of my paintings and arranged them in these abandoned houses. And thus, this film was made." Tsai Ming-liang
A leading figure of the "Second New Wave" of Taiwanese cinema, award-winning Director Tsai Ming-Liang has left his mark on the art world with his minimalist dialogues, contemplative fixed shots, and unmistakable depictions of urban settings. But what's left to achieve when most of your dreams have come true? Exclusively for TaiwanPlus, Tsai, who promised himself not to make more than ten feature films - but already has eleven to his credit - discusses the origins of his art and the future of his cinematographic commitment.
This short by Tsai Ming-liang, completed in 2021, was filmed at "the Dune" in Yilan, Taiwan, where the eight films in his Walker series were being shown.
Composed of a series of portrait shots of mostly anonymous individuals, filmmaker Tsai Ming-liang's digital experiment turns the human face into a subject of dramatic intrigue.
Six authorities of cinema describe their approach to transcendence, mysticism, spirituality and life after dead.
Lush jungle and a building in ruins are the ideal stage for a film-confession that defies storytelling and goes beyond conversation on cinema. Tsai Ming-Liang and his actor Lee Kang-sheng confess and put on stage a pièce in which attention and slowness are in tune with the rhythm of memory. The unveiling of Tsai Ming-liang’s filmmaking: from Stray Dogs to the most intimate notes of the director-actor relationship.
French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.
With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.
Tsai Ming-liang (Chinese: 蔡 明亮, Pinyin: Cài Míngliàng; born October 27, 1957) is a Malaysian-Taiwanese filmmaker. He has written and directed 10 feature films and has also directed many short films and television films. Tsai is one of the most celebrated "Second New Wave" film directors of Taiwanese cinema. His films have been acclaimed worldwide and have won numerous film festival awards.
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