A bucolic fantasy frolic in which an adaptable young woman must navigate a bewildering and whimsical phantasmagoria, populated by anthropomorphic and bombastic creatures. The characters she encounters, she discovers, reject established facts and knowledge in favour of: galvanising, albeit meaningless soundbites (often in the form of riddles and poetry), vigilantism and its blunt implementation of “justice” and cult-like acts of dissent. Ironically, leading these academic rebellions are the establishment figures themselves.
Lou and Noodles are consumers. Adrift and empty, they are separate from each other and from the world. Ruled by desire and uncontrollable drives to excess, they spend their solitary hours in spaces both real and unreal. Occasionally, they are in the same part of the mall.
Bhutan: The World’s Happiest Man tells the story of Mr. Bishnu, an aging Bhutanese-American in Ohio, who dreams of returning to his homeland. After his unexpected death, his family faces a conflict over his final resting place, torn between past memories and present realities. This emotional drama explores themes of love, loss, and the search for belonging.
The tale of Boris, a young musician living in Hollywood. We chronicle two days in the life of Boris as he experiences a bizarre and unsettling mystery that leads him on a journey to the Los Angeles River.
The miniseries follows the battle between two parents, Dimo and Kalina, for custody of their son Bobby. The story reveals the trauma that family problems and divorce cause to children.
Sarah, head of the swimming team, self-harms to deal with the pressures of her life. A burgeoning friendship is her first step towards healing.
An omnium-gatherum of film, poem, and song excerpts contextually juxtaposed in an attempt to explore masculinity, alienation, and identity in a post-industrial society.
Tokyo is a mere five-hour flight from Hong Kong but it is a totally different world. Sarah (Josie Ho) has come to Japan seeking to buy an investment property and to have a brief and restful holiday after a bad break-up with her boyfriend. Everything has been precisely arranged in advance; from the schedule, to the hotel, to the real estate broker and the site visits. Immediately after her arrival, things start to go terribly wrong.
A family of immigrants is chased through the woods by border patrol. But they're not alone.
Set in an established wealthy home, a middle aged woman is awoken by the sounds of an intruder. As she follows the unsettling sounds, she walks into a nightmare. A nightmare whose dreamer is unknown.
The main character of the film writes a diary. For over 20 years he has lived in a bunker and has not ventured outside. His only companions are ghosts of the past. He tries to find an explanation for the fateful course of events, which has destroyed the whole earth. The feeling of guilt does not leave him, as he believes that he could have prevented the apocalypse and the death of his beloved.
In his daily commute an old man looses track of time and his grip on an overwhelming reality. He remembers a life long forgotten.
The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.
In an exclusive consortium isolated from the rest of the world, Gianmarco, a young man obsessed by a series of mysterious suicides, begins a personal investigation to uncover the truth. The more he digs, the more the boundaries between reality and paranoia become thinner, dragging him into a vortex of suspicion and obsession. When everything seems to lead him to a single, disturbing conclusion, he will discover that some truths are not meant to be revealed... and that it may be too late to turn back.
A satire about an alien who lands in Belgium and tries to attain citizenship. During the integration programme he experiences discrimination and unfairness whilst he just wants to fit in with the rest.
A gay office worker feels alienated due to being straight-passing and not fitting in with his peers. He dreams of a better environment and is outed, leading to a mysterious change in community.
Social media corrupts the mind of a young University student--but can he escape the psychological torment of alienation?
A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.
With a poem written and narrated by Leon Chaldranian, Marlina Shinta directs a coming-of-age short poetry film "The Cryptic Innocence" that tells the story of female youth alienation. Starring Nabila Zahranova Cinematography by Bima Utomo Audio arranged by Dewa Dayana
A group of three students making a short film, however, while the two enthusiastic students are proud of the work, a reserved student casts doubt on how the audience will perceive the film.
About how the social environment affects Mazhar's consciousness/inner world and his effort to get rid of the stuckness he is in.
This is the story of Leonardo and Federico, two students who have never accomplished anything in their lives... Maybe
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