A thoughtful exploration of gypsy culture, an intimate portrait of flamenco guitar player Yerai Cortés and a healing family exorcism through music. Antón Álvarez (aka C. Tangana) makes his filmmaking debut with this documentary.
A musical, and also a reflection on watching, on trying to escape an anthropocentric gaze and also on watching itself in cinema. Featuring mares and horses: Triana, Víctor K, Bambi Sailor, San Special Solano, Buck Red Skin, Onkaia, Cool Boy, the donkey Agostino, the mule Guapa. And also Alfredo Lagos, Raül Refree, María Marín, Pepe Habichuela, Virgina García del Pino, María García Ruiz, Pilar Monsell, María Pérez Sanz.
Mist. Dust. A bowling alley in the crosshair of a thunderstorm. A pregnant woman, a businessman and a widower find shelter in its midst. Pins are knocked down until gloomy moths kindle an outage.
Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.
In the 1960s, a young Spanish flamenco dancer named Antonia Singla captivated audiences with her strikingly passionate performances. Having lost her hearing at a young age, La Singla rose to fame with her commanding presence through a combination of her powerful gaze and thunderous movement. However, just at the height of her fame, she seemingly disappeared and decades later has been all but forgotten. When a young woman in Seville comes across La Singla’s story, a bigger picture starts to be unveiled. Through research, interviews and captivating archival footage, she starts to piece together the legend of La Singla. Through the beauty of her performances and the heartbreak of her story, La Singla celebrates and preserves the legacy of one of the greatest Flamenco dancers of all time.
The tale of an extraordinary family, the Madrigals, who live hidden in the mountains of Colombia, in a magical house, in a vibrant town, in a wondrous, charmed place called an Encanto. The magic of the Encanto has blessed every child in the family—every child except one, Mirabel. But when she discovers that the magic surrounding the Encanto is in danger, Mirabel decides that she, the only ordinary Madrigal, might just be her exceptional family's last hope.
"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.
Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.
In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.
Paco and José are two teenage boys living in a marginal neighbourhood of Madrid, a place hostile to each of their dreams. With serious family problems, and surrounded by an aggressive, macho, homophobic environment, they must lead a double life to hide the beginning of a love relationship and their passion for flamenco dance.
A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.
Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.
The famous Spanish singer and actress Lola Flores tell us about her professional and personal life in these series.
The documentary is a summary of Paco de Lucía's career, his art, his human category and his life, from his first artistic steps to his last professional steps, which have been marked by flamenco. Numerous testimonies and interviews carried out between 2010 and 2014 are exposed.
The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.
Flamenco Hoy is the first live play directed by the great Spanish filmmaker Carlos Saura. For this staging it has more than 20 artists of the new generation, all of them possessing a great talent and very recognized in their field, exhibiting a lively, brilliant show, full of strength and energy. The dance, composed of 8 excellent dancers is presented with its varied samples of the traditions acquired over the years and its use of new trends such as jazz and contemporary. The cante is represented by 2 portentous cantaores who interpret the compositions and arrangements of Chano Domínguez, internationally recognized Spanish pianist and several times nominated for the Grammy. 4 musicians of great level complete the music scene.
An unforgettable concert performance by Diego El Sigala at the Gran Rex Theater in Buenos Aires in April 2011. The concert ended with thunderous applause, 3000 of the audience, filling the legendary theater. A special performance in which El Cigala and his Spanish and Argentinean fellow musicians interpreted the classics of the Argentinean repertoire, such as Las cuarenta, Sus ojos se cerraron and Tomo y limo, and contemporary works such as Garganta con arena, by Cacho Castagni. In addition, it contains four tracks that are not in the album: Tema de Amor, from the soundtrack to the Godfather), San Migueles, El Chorrito and Dos Gardenias.
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