Love blossoms secretly between two old women at an elderly care home while the specter of patriarchy looms large overhead.
A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver, whose personal life is in shambles, and his fare, an elderly woman whose warmth belies her shocking past.
Susana leaves her life in Paris, where she works as a model, and returns to Madrid to take care of her grandmother Pilar.
Mateo is an unscrupulous young real estate agent. He lives in a house where nothing is lacking, but his well-off life will be disturb one morning because of the presence of an intruder.
Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.
The film follows the last 4 years life of Grandma Hashima, the last existent from colonial Taiwan, who knows the secrets of "Green Jail," the notorious coal mine before World War II on Iriomote Island, Okinawa, Japan.
A man's daughter is the victim of a brutal hit-and-run car accident. The only witness is the man's dementia-ridden old mother who barely remember any details. The two must work together to find the culprit.
Yara is an immigrated girl. Escaped from the horrors of the war, she finds herself in a refugee center. Here she will meet Lucas, with whom she will start a relationship. With the help of the social worker, Nadia, the couple, in economic difficulties, manage to find a temporary accommodation in a council house, unaware that the real horror will start as soon as they cross that door.
Hyo-jeong, a 69-year-old woman, is raped—but few people, including the police, are willing to believe what she says.
Two village peasants compete for a girl who is no longer alive... According to their beliefs, the soul of the deceased is nearby for several days and sometimes returns.
84-year-old Maura is the guardian of a very particular tradition in danger of extinction. She is a singer of amorfinos, verses full of humor that will disappear forever with her departure.
Sien (74) leaves for her hideout on the captivating island of Vlieland. Here she recollects her memories on an old tape recorder of her turbulent life as a mother, life-drawing model, squatter and activist in Amsterdam in the sixties.
Sigrid Koetse, award-winning actor and grande dame of Dutch theater, lived most of her life in the public eye and was always surrounded by a crowd of admirers. With this short documentary, filmmaker Wytse Koetse shows how his aunt spends her days nowadays, lonely in her Amsterdam home.
Kevin is having a bad day. He’s been bitten by one of those strange, shuffling creatures that suddenly seem to be everywhere. Perhaps the friendly people at his local pharmacy can help?
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.
A sensual and insightful film about three elderly dancers from Budapest. Irén, Éva and Ágnes - all between 90 and 100 years old - were once part of the early modern dance movement in Hungary. Taking the role of a dance student and dialogue partner Boglárka retraces how each of the elderly dancers transformed their lives and movement practices in order to survive the major socio-political changes of the last century. The film takes us into a personal and bodily encounter with three very different personalities and their relation to their past and present. Returning to the stage and performing in their private rooms, Irén, Éva and Ágnes reveal us an incredible richness of experience stored in their bodies. A choreography of memories.
“Behind time, time comes” interlaced with folk songs, narrates the rhythms of rural life, where time and its weight, shape and define the landscape, as well as the lives that compose it. Accompanying the reminiscences of a group of women from the parish of Dornelas, Sever do Vouga, Portugal.
Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.
Every year since 2011, a unique beauty contest has been taking place in Haifa. The contestants are female survivors of the Holocaust. In the midst of this flashy spectacle, their personal traumas remain as deep as ever. There are many things about this contest that are controversial: it is organized by the right Zionist organization, the International Christian Embassy Jerusalem, and the dubious contest itself rises the public indignation of various speakers, including other survivors.
Emily finds herself disconnected from the world around her. She goes on a journey through her memories and relives different moments from her life. Emily must look to her past so that she may fully embrace the present.
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