Soiinthanin is a beautiful, smart, well-educated girl, who is the daughter of Saengfah, who owns the "Yupharet" house. But because her mother is only a mistress, and she is an illegitimate child, she spends her life in their house being oppressed and not experiencing the same privileges her half-sister Soifah gets. The miserable and painful life of her mother is not lost on her as she too finds herself facing the same fate when she falls for Soifah's fiance Phas, a man who has to marry her half-sister in order to maintain his noble family's honour.
Amirali who has came to Iran for a short trip 7 years after his emigration to Germany, goes with his old friend Mahyar to their family villa in the north of the country.
Juan, a worker goes to visit his mother after a long time working but his sister prevent him from seeing her. When he discovers the state in which his mother is, he sees that his brother and sister had been deceiving him to receive his money.
Xiong Ge starts a new life following the disappearance of her sons and ex-husband. She opens a hostel called The X-Dormitory, in which she treats her tenants like her family. When Room 206 mysteriously appears out of no where and out walks her ex-husband, she gets a terrible feeling in her gut that something bad is about to happen.
An astrophysicist (Marion) and an extraterrestrial (Thomas) are in love. Tomorrow, they must say goodbye. It's the price they must pay to free Thomas from the horrible affliction he is suffering from on Earth. Thomas will leave our world and return to his planet. Marion accompanies him to the point of no return.
Follows a man who, after 40 years, comes back to his hometown. There he has nobody. His friends from America are coming after him to get him back and small village in Vojvodina becomes lively as never before.
Radical, means what has to do with roots. The film is made with black radish: minced and cut in parts, then patiently placed and exposed on film. In a digital age, we go back to the roots of cinema!
A young woman returns to her rural Mexican village after a few years away to find out if her first love can be revived.
The reinvigorated elderly group that left Earth comes back to visit their relatives. Will they all decide to go back to the planet where no one grows old, or will they be tempted to remain on Earth?
Tamsir returns to Senegal after 17 years in Europe. His uncle gives him a patronage job in Dakar, virtually without duties. He visits his family's village to see his parents, and there he meets the beautiful Lissa. Tamsir espouses traditional ways, as does Lissa, but when her parents agree to marry her off to a corrupt and well-spoken member of parliament, Tamsir and Lissa dishonor the family and she becomes pregnant. The MP's response, his and Tasmir's uncle's plan to capture the village farmland, the reactions of Lissa's parents, who are strict followers of Islam, the disaffection of Dakar youth, and the dreams of a village mechanic to find "Saaraba" (Utopia) complete the story.
After her husband's death in Germany, an attractive young widow leaves his native village in Herzegovina to work abroad. There she starts an affair with an Italian worker that proves to be unsuccessful, yet she gets pregnant. She does an abortion, which is followed by another blow - her godfather Luka steals her hard-earned money.
A reunion between a mother and her pregnant daughter, who need a moment to recognize themselves and to understand that they will live together again in a new situation for both of them. An exercise made by the author during her second trimester at the London Film School, inspired by the painting "La Coiffure" by Edgar Degas.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
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